1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy  Related Paintings of John Constable :. | Weymouth Bay | View towards the rectory | Branch Hill Pond | Sketch for The Leaping Horse | Yarmouth Pier |
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Vasily Kandinsky
b. Dec. 4 ,Dec. 16, New Style, 1866, Moscow, Russia--d. Dec. 13, 1944, Neuilly-sur-Seine, Fr. Wasilly Kandinsky (or Vassilii Kandinskii) was a Russian painter whose works from 1910 are considered the first abstract paintings. Kandinsky had a law career in Moscow until he opted for art school in Munich in 1896 -- when he was almost 30. Within a decade he'd made a name for himself in Russia and in Europe, an Expressionist whose dazzling watercolors were influenced by Russian folk art and French Impressionists such as Claude Monet. Between 1910 and 1912 he wrote about non-objective "abstract" paintings and published On the Spiritual in Art, a work that solidified his position as the father of abstract art. Known for his ingenuity with geometric shapes and use of brilliant color, Kandinsky was successful in Europe and the United States.
Christian Wilhelm Ernst Dietrich
German Painter, 1712-1774,German painter and etcher. He received his first training from his father, Johann Georg Dietrich (1684-1752), a court painter at Weimar, and was sent to Dresden at the age of 13 to study under the landscape painter Johann Alexander Thiele (1685-1752). In 1728 they travelled to Arnstadt to paint landscapes for stage sets. In 1730 Thiele presented his pupil to Frederick-Augustus I, Elector of Saxony, as a prodigy; Frederick-Augustus appointed him court painter and entrusted him to his minister Heinrich, Graf von Brehl, for whom he worked on some decorative paintings. From 1732 he used the name 'Dietricy' to sign his paintings. He travelled in Germany from 1734 and may have visited the Netherlands, the source of his artistic inspiration. He returned from his travels in 1741 and was appointed court painter to Frederick-Augustus II, Elector of Saxony, who sent him to Italy in 1743 to study. He visited Venice and Rome but returned to Dresden in 1744.
Krimmel John
American portrait and genre painter. b.1789 d.1821